Miia kovero biography of albert

In point of fact, with all of her blockbuster credits and auteur collaborations, Kovero started out in theater, and it was the exhilaration of returning to the medium that drew her to the project. Of course, Hairspray Live! Below, Kovero explains the process of designing hair for the latest Hairspray adaptation and the joys of working on a project where hair is a character in itself.

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What was it that attracted you to Hairspray Live? I think because I started in theater, because it was theater-based, and all those quick changes and everything. That was kind of challenging, and so complex, I think, being able to do a theatrical hair, but doing it kind of neater, and more TV-specific. Theater is a little more rough, usually, but you have to be much more fine-tuned for TV, so we had the combination of those two.

It must be quite exciting to work on a production where hair is such a predominant element. Are you kidding me? It was so great. It was a big challenge, but obviously there had been some theater productions. I think we had like 64 wigs, all together, that we had to dress, and everything worked all the time—all the chorus wigs, and the principals had several wigs each.