History of jean michel cazabon

When people start to criticise and analyse art, the academic language and jargon can make things a bit dull. The narrative style of writing presents an analysis of the works of 19th century Trinidadian artist Michel Jean Cazabon, insights into the man and his career, as well as the practices, politics, and society of TT at the time through his work and in the context of other artists of that time.

Although the reader may need a dictionary at times, Cazabon: New Perspectives is a surprisingly easy read. The use of the many pictures of his works also helped. A painting of a scene on a plantation in Trinidad. The main message I got from the book was that his work, including portraits and landscapes, should not be taken at face value.

For example, Crichlow examined how artists who studied in England worked and were trained at the time. He noted that landscapes were linked to empire-building in the Caribbean, and presented how well European society had reproduced itself in the region. He even described the techniques used to manipulate how and to what the viewer paid attention.

History of jean michel cazabon: (Trinidadian, –) Michel-Jean Cazabon was a.

Their production, substantially different in nature, form and quality from the art of the Parisian salons, was instrumental in the visual projection of imperial power in the region and in Europe. He said Cazabon was obviously familiar with the techniques and used them but kept his work separate from the politics of the day. Hinkson said there was a difference between the light in the tropics and that in the colder countries of Europe.