Wikipedia biography styles of art

There is no generally agreed definition of what constitutes art , [ 5 ] [ 6 ] [ 7 ] and its interpretation has varied greatly throughout history and across cultures. In the Western tradition , the three classical branches of visual art are painting , sculpture , and architecture. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts.

The nature of art and related concepts, such as creativity and interpretation , are explored in a branch of philosophy known as aesthetics. In the perspective of the history of art, [ 11 ] artistic works have existed for almost as long as humankind: from early prehistoric art to contemporary art ; however, some theorists think that the typical concept of "artistic works" does not fit well outside modern Western societies.

English words derived from this meaning include artifact , artificial , artifice , medical arts , and military arts. However, there are many other colloquial uses of the word, all with some relation to its etymology.

Who invented art and craft

Over time, philosophers like Plato , Aristotle , Socrates and Immanuel Kant , among others, questioned the meaning of art. He speaks approvingly of this, and other forms of divine madness drunkenness, eroticism, and dreaming in the Phaedrus a—c , and yet in the Republic wants to outlaw Homer 's great poetic art, and laughter as well.

In Ion , Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. The dialogue Ion suggests that Homer's Iliad functioned in the ancient Greek world as the Bible does today in the modern Christian world: as divinely inspired literary art that can provide moral guidance, if only it can be properly interpreted.

With regards to the literary art and the musical arts, Aristotle considered epic poetry , tragedy, comedy, Dithyrambic poetry and music to be mimetic or imitative art, each varying in imitation by medium, object, and manner.